Abstract
The objective of this article is to analyse the different textual strategies with which María Rosal Nadales makes a transtextual construction in her anthology "Al este del andén". The use of this technique responds to different reasons: the active role that is assigned to the reader and the playful character in which the writing is framed, the tribute to and poetic concordance with other authors, the surprise effect and the irony, the postmodern fusion of classical culture and popular culture and, finally, the ethical-aesthetic commitment to point out contradictions, create new metaphors and encourage the reader's reflection together with new ways of thinking, especially around the figure of the woman poet and the representation of the female body.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
