Abstract

The information space of modernity requires from literary and artistic periodicals new forms of interaction between the participants of the communicative process. After all, with the advent of new media, writers are losing their niche in the space of literary publications. Such material placement cells are disappearing on the World Wide Web, being replaced by mass content. Considerable attention in literary and art magazines focuses on the qualitative transmission of intercultural experiences of generations. Under such conditions, there is a need to trace the Ukrainian-Polish literary relations in the era of convergent media. These aspects are reflected, for example, in the specifics of translations. A significant amount of correspondence, peer-review, and critical investigations of well-known figures of domestic literary criticism, which are connected with the writers of the neighboring country, allow the publication to open the curtain of perception of the world by Polish writers. The question of the peculiarities of communication between writers of Ukraine and Poland is interesting. What resources do writers use to reach consensus, seek collaboration, and engage in free dialogues, which are published by the editors of the analyzed journal. The study attempts to analyze the translation of Polish literature on the pages of the Courier Kryvbas magazine, from the perspective of the interaction between the author and the translator. The ways of their communication in the process of using the language codes of the countries are indicated. The most common genres of reflection of literary concepts on the pages of the Ukrainian edition are determined. Nowadays, various journalistic genres are being modified. The Courier of Kryvbas offers readers unusual forms of the artistic word, which are specified by the authors of the explorations themselves, in particular, reflections, thinkings, monologues, mentions, etc. The classic forms of text presentation are not left without attention.

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