Interaction between Modern Arabic and European Drama and its Role in Removing the Language Pattern Limits With Special Reference to the playwright Saadallah Wanous

Abstract

It is well known that there is an effects of the same area language accents, dialects, traditions and customs, in the Arab World, because of the same area language effects on them, for example the Egyptian theatre have more effects on other Arabic countries, but there was no more studies on the effects of other cultures and language in Arabic theatre, so this research will cast light on Interaction between Modern Arabic and European Drama and its Role in Removing the Language Pattern Limits. The study aims at investigating the factors behind interaction between Arabic and European theatre, and to study the role of interaction in filling the gap between the formal and slang Arabic. The researcher followed the descriptive, analytic and critical approach. The research come up with many results, the important of which is: the Arabic theatre represented by Saadallah Wannous makes understand that the theatre writings is non-completed, otherwise than it is completed by the wholly presentation, as such the ultimate relation between theoretical writing and the practical, Sa’adallah Wannous need really a political theatre discharge and either partially daily and in the same time, make and enhance audience for changing., Wannous needs an audience theatre towards the working public strata, after studying its situations and life circumstances, he needs for this group to go on breaking of the classical work, so as to jump on experimental continuous way for building a mission theatre. The study recommend that, there should be more focus in studying contrastive studies between Arabic and English in theatre language, also faculty of arts should practically pay attention to teaching comparative drama for their students.