Abstract
The characteristic of the genre of instrumental theater is both the symbiosis of music and theater, as well as the fact that composers are also directors, while musicians have the opportunity, in addition to their expected roles, to be in contact with other arts. The specificity of the genre is that it is displaced from the original environment and replaced in a new context, which allows the performers to interact with each other, as well as to be in close communication with the audience. The impact of the audience on the performance contributes to the final design of the piece, which is why its engagement is of utmost importance to the genre. Composers such as Mauricio Kagel, Georges Aperghis and Heiner Goebbels made the greatest contribution to this genre.
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