INNOVATIVE BALLETS IN THEATERS OF WESTERN EUROPE: STAGE ACTION AS A PLAY OF MEANINGS

Abstract

The article is devoted to the actual problem of the «play of meanings» in the symbolic direction in modern choreography, presented in the theaters’ stagingin Western Europe. The research goal is to identify the modern balletfeatures, which actively uses innovative methods. The study objectives are to collect and analyze the opinions of art experts and critics on the issues of modern ballet in Western European theater productions. The analysis period was chosen for the three years 2020-2022.The research methodology is based on a systematic approach and includes the methods of the general scientific group (analysis, synthesis, deduction, induction), as well as a number of special methods: content analysis of scientific literature on the research topic; sociological survey method; as well as the method of statistical analysis. The survey results were analyzed using the Neural Designer program (a tool for advanced statistical analytics) and translated into a graphical diagram format for clarity of perception.Answers in 60 questionnaires were evaluated by the average score for each analysis criterion, which made it possible to bring all the calculations to a 10-point scale. Based on the results of the study, the article author concluded the following: in modern productions, symbolism manifests itself as the dominance of «body language» over musical informativeness, over stage design. The action development takes place within the classical framework, but with the use of a postmodern concept regarding the dancechoreography.