Abstract
The Kethek Ogleng dance performance is one of the traditional dances that is inherited and there are cultural values at Darma Giri Budaya Dance Studio in Wonogiri Regency. The purpose of this study is to analyze the inheritance of cultural values in the performances of the Kethek Ogleng Dance at the Darma Giri Budaya Dance Studio in Wonogiri Regency. The method used is qualitative with ethnochoreological approaches. The data collection techniques through observation, interviews and document study. The analysis process began from collecting data, reducing dataand clarifying, concluding and interpreting. The cultural value of Kethek Ogleng Dance can be seen in the dance moves, the performing techniques, dancers, time, drama, and technique. The cultural values that are seen from the knowledge obtained is from learning in the Studio and formal schools. Skillis the process of training artists to the dancer of Kethek Ogleng in the studio. Attitude, the artist teaches the attitude of dancer Kethek Ogleng that the talent possessed must be delivered.
Highlights
Purpose of inheritance is to preserve cultural values from the past, as well as efforts to maintain
Cultural Values in the Kethek Ogleng Dance Performance at Darma Giri Budaya Dance Studio in Wonogiri Regency In Wonoboyo Urban Village, there is a place or infrastructure which is well known because it has been developed for almost ± 20 years
A brief history of this studio started with the desire of an artist from Solo named Loediro Pantjoko, S.Sn. who is graduate from ISI Surakarta. He graduated in 1998 and married in 2000 lived in Wonogiri. This studio was called KPSW (Komunitas Pecinta Seni Wonogiri (Wonogiri Art Lovers Community)), which was chaired by Eko Supendi, S.Kar and after 2 years renamed to the Darma Giri Budaya Dance Studio which had obtained legality from a legal entity with the number of Institutional Approval Certificate: 431/5978 / 2017 and Notarial Deed Number/ Establishment of Institution: 109 / KEP-17.3 / III / 2011
Summary
Purpose of inheritance is to preserve cultural values from the past, as well as efforts to maintain. Global culture seems become a unity glorious past of their own civilization. For local dance audiences: "I don't like modern further consideration with different arguments dance." These comments are generally directed to even different diametrically, according to Santos the production of foreign or local dance that is not (Ratna, 2010) human civilization came in accordance with the impression of dance from the East, namely Indonesia. A dance that is inherited is a result that in society that determine social power and social can be enjoyed by the audience as well as being a inequality. Economic principal which pride for Indonesia's culture. Cultural principal which has several and aesthetic experience (beauty). A performing dimensions: objective knowledge of art and art at least the following requires: 1) material for culture, cultural taste and preferences, formal art activities (dance, music, theater), 2) artists or qualifications, cultural skill, practical knowledge performers who perform art activities, and 3)
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