Inheritance and Innovation in Wes Anderson's Works from the Perspective of Auteur Theory: A Case Study of The French Dispatch

Abstract

Wes Anderson, a renowned American independent filmmaker, is often associated with bold use of color, symmetrical composition, flattened visual expression, and unconventional narrative structures, showcasing a distinctive personal style and a strong directorial control over his works, earning him the title of an "auteur" director. This paper aims to analyze Anderson's aesthetic style and thematic expressions from the perspective of Auteur Theory, employing methods such as investigative, literary, and comparative research. After examining The French Dispatch, Anderson's final released film, the study concludes that while inheriting the director's consistent stylistic features, the film also demonstrates innovation and breakthroughs, highlighting his broader artistic pursuits.