Abstract
Abstract The initial impact of photography on painting and the continuing interplay between the two remain one of the intriguing questions confronting the historian of nineteenth century art. Recognition of photographic history as a significant discipline in its own right has grown. rapidly in the last four decades, but a great deal remains to be done on the connection between the two arts. The pioneering works of Newhall, Schwarz and, later, Scharf, Coke and others, have already focused attention on the way in which photography acted upon the style and content of painting, a matter now widely recognized among art historians. There is no longer any novelty or surprise in discovering that a prominent artist made reference to, or in some cases actually copied, a specific photograph. The student today accepts the fact that such artists as Delacroix, Courbet, Manet and Degas made use of the works of Durieu, Villeneuve, Nadar, Carjat, Disderi and others.
Published Version
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