Abstract
Abstract This article is based on the understanding of festivals as organizations and events that are multiform and establish mediations with society (Amaral, 1998a; Davel, 2016). Based on a multi-political perspective, our objective was to reflect on the social production of inequalities and forms of resistance in the organization of the congo capixaba festival, in the state of Espírito Santo. Our theoretical reflections were grounded in Certeau’s (Certeau, 1985, 2008, 2012; Certeau, Giard, & Mayol, 2003), Hall’s (2003, 2011) and Sansone’s (2004) discussions and reflections regarding contemporary black culture. Our empirical field of investigation was the Carnaval de Congo de Máscaras [Congo Masquerade Carnival], in Roda D’água, where we employed the ethnographic method as a data production and interpretation strategy. Our findings indicate the existence of “non-places” as products of historically produced conditions of social marginality, as well as an ethnic-racial invisibility reinforced in the festival’s organizational context. These non-places operate in the religious, touristic, and cultural macropolitical fields. On the other hand, we highlight how the subjects of such conditions deal with them by employing certain micropolitical tactics, which figure prominently in their everyday lives, and articulate themselves around a sense of tradition and belonging.
Highlights
The Congo festivals, known as Congadas, Congados, Cacumbis, Ticumbis, Bailes de Congo, among other nomenclatures, are festivities regarded as typically representative of AfroBrazilian culture
We have discussed the social production of inequalities and resistances in the organization of the congo capixaba by highlighting the places and non-places of the state’s congo festivals, understanding the production and reproduction of these non-places as a result of strategies that seek, if not to erase, at least to make their actors invisible
Based on a micropolitical perspective, we presented a non-place in the religious field, expressed in a form of Catholicism that sees itself as official while delegitimatizing Afro-Brazilian religious practices
Summary
The Congo festivals, known as Congadas, Congados, Cacumbis, Ticumbis, Bailes de Congo, among other nomenclatures, are festivities regarded as typically representative of AfroBrazilian culture. Within the context of the capixaba state (the nickname for the state of Espírito Santo), congadas appear in different festivals, including the one described in this article – known as the Carnaval de Congo de Máscaras [Congo-Drum Masquerade Carnival] of Roda D’água. It takes place annually in the rural area of the municipality of Cariacica (ES), on the periphery of the metropolitan region of Vitória (the state’s capital). Operating in the spheres of both material and immaterial production, the Carnival can be seen as a current manifestation of the politics and economics of Afro-Brazilian culture
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