Abstract

The National Gallery’s recent acquisition of Artemisia Gentileschi’s Self-Portrait as Saint Catherine of Alexandria takes the number of works by female artists in the permanent collection to twenty-one. Artists represented at the National Gallery include Henriette Browne, Berthe Morisot, Rachel Ruysch, Rosa Bonheur, Catharina van Hemessen, Elisabeth Louise Vigee-Lebrun, Judith Leyster, Rosalba Carriera, Marie Blancour, Vivien Blackett, Madeleine Strindberg, Maggi Hambling, and Paula Rego. In this interview at the National Gallery, Susanna Avery-Quash (Senior Research Curator in the History of Collecting) asks Letizia Treves (The James and Sarah Sassoon Curator of Later Italian, Spanish, and French 17th-Century Paintings) and Francesca Whitlum-Cooper (The Myojin-Nadar Associate Curator of Paintings 1600–1800) about the experiences of women artists in the seventeenth and eighteenth centuries, and how their work was received during their lifetimes and later.

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