Abstract
The year-long commemoration of the bicentennial of Grahamstown, South Africa, exposed the wide gap between heritage practitioners, broadly defined, and much of the general public in confronting a troubled past. Although experts and a few community members enthusiastically promoted social healing through a variety of creative activities, much of the public retreated from participation. The nature of a full year of commemorative events is significantly different from many other forms of heritage work in South Africa today, because it engages the general public rather than a few select individuals. The Project revealed the still strong racial divide and self-concepts of many South Africans.
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