Abstract

The issue of time, which is one of the central themes of all arts, has quickly become the focus of cinema as well. Cinema shapes and reflects time in different ways. This leads to debates about slow and commercial cinema. Slow cinema is stagnant, slow, and uses long shots. Commercial cinema is fast, smooth, and uses close-ups.
 This study aims to reveal that this type of cinema tries to relate its central scenes to transcendence. This kind of search for transcendence is called eternal now or everlasting present in traditional thought. Therefore, this study generally seeks the equivalent of eternal now as a search for transcendence in cinema.. The moments in these scenes break away from all contexts, including the plot of the film, and directly contact the transcendent. This study proposes to conceptualize this search for transcendence, which is found in different films by different directors and genres, as the cinema of eternal now. The cinema of eternal now brings the audience into contact with the infinity within the moment and takes them to the intersection point of the mortal and the immortal, thus elevating them to the level of the transcendent and giving them a metaphysical experience.

Full Text
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