Abstract

In North America, Indigenous pasts are publicly understood through narratives constructed by archaeologists who bring Western ideologies to bear on their inquiries. The resulting Eurocentric presentations of Indigenous pasts shape public perceptions of Indigenous peoples and influence Indigenous perceptions of self and of archaeology. In this paper we confront Eurocentric narratives of Indigenous pasts, specifically Wabanaki pasts, by centering an archaeological story on relationality between contemporary and past Indigenous peoples. We focus on legacy archaeological collections and eroding heritage sites in Acadia National Park, Maine. We present the “Red Paint People” myth as an example of how Indigenous pasts become distorted through archaeological narratives influenced by Western ideologies and offer a framework for indigenizing archaeological narratives constructed previously through Western lenses, using Indigenous language and community engagement to carry out the study.

Highlights

  • Narratives at Acadia National Park, For over a century, North American archaeologists have operated under a model that assumes the right to excavate, research, and interpret Indigenous archaeological sites and associated material culture with little to no consultation with the people whose heritage these places represent

  • We present the “Red Paint People” myth as an example of how Indigenous pasts become distorted through archaeological narratives influenced by Western ideologies and offer a framework for indigenizing archaeological narratives constructed previously through Western lenses, using Indigenous language and community engagement to carry out the study

  • The Wabanaki tribes provided linguistic, folkloric and archaeological information as evidence of cultural affiliation between contemporary Wabanaki peoples and those associated with the red ochre burial tradition, museum representatives claimed that the evidence was insufficient to support a cultural affiliation determination (Newsom 2008; Wheeler and Newsom n.d.)

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Summary

Introduction

Narratives at Acadia National Park, For over a century, North American archaeologists have operated under a model that assumes the right to excavate, research, and interpret Indigenous archaeological sites and associated material culture with little to no consultation with the people whose heritage these places represent. People” narrative refers to a distinct group of people who occupied Maine between 5000 and 3800 years ago; they had a marine orientation, hunted swordfish, fashioned unique and elaborate grave goods, and vanished mysteriously when another group of people moved into the region with different mortuary practices and material culture. This is not an Indigenous story nor is it accepted by many in the archaeological community; it shapes public perceptions of Indigenous peoples and influences Indigenous perceptions of self and of archaeology. Our aim is to highlight it as an example of how the stories of Indigenous pasts become coopted, controlled, and shaped by archaeologists and to offer an alternative model for storying Indigenous heritage

Background
Theoretical Framework
Our Stories
Isaac’s Story
Bonnie’s Story
Natalie’s Story
Conclusions

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