Abstract
AbstractThis book examines the significance of what Victor Hugo called the “Greece of Byron” or modern Greece in English and American literature. Although ancient Greece, Hugo's “Greece of Homer”, and modern Greece occupy the same geographical space on the map, they are two distinct entities in the Western imagination. Modern Greece, constructed by the early 19th-century ideals and ideas associated with Byron, has been “haunted, holy ground” in literature for almost two centuries. This book analyzes how authors employ ideas about romantic nationalism, gender politics, shifts in cultural constructions, and literary experimentation to create variations of “Greece” to suit changing eras.
Published Version
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