Abstract
This work contains a theological approach to the history and stories of Rafael Chirbes, paying attention to the relationship showed between human and non-human animals, attending to their identification, their blurred boundaries, and their defacement. Section one studies the strange communion among them as it appears in Mimoun, and, next, its reversal in Los disparos del cazador. We also study the mystical via in En la orilla to conclude by suggesting the possibility of a historical redemption departing from these texts.
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