Abstract
Antifascist visual culture in the 1930s and 1940s was rife with images of women and children. In Argentina and Uruguay between 1935 and 1943, artists Raquel Forner, María Rosa de Ferrari, and Antonio Berni reproduced works in three periodicals published by the Agrupación de Intelectuales, Artistas, Periodistas e Escritores (Association of Intellectuals, Artists, Journalists, and Writers, AIAPE). A study of this imagery through a queer feminist lens reveals the extent to which these artists' visual production both supported and diverged from the magazines’ political ideologies.
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