Abstract
Although women comprised the majority of American cinema accompanists during the silent film period (c. 1895–1927), few of their music libraries or compositions have survived, whereas collections created by male cinema musicians dominate the silent film music archives. Women musicians suggested, shaped, and helped define the musical tastes of the time; educated listeners; and showed how music could serve as a creative, narrative, and interpretative force in the cinema. I offer an accounting of extant collections by women accompanists and read their contents and contexts from a feminist perspective. Using hints and fragments found in letters, period trade journals, and catalogs, I then speculate on an imaginary archive, one that collects music composed or played by female silent film musicians whose work has been lost to us, but whose influence in the development of film music is unmistakable.
Published Version
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