Abstract
ABSTRACT This article seeks to reconcile the characterizations of Chaucer’s voice and implied male audience encapsulated in Derek Pearsall’s “London club culture” and Carissa Harris’s “felawe masculinity.” I propose that these labels serve as complementary descriptors whose points of intersection reveal Chaucer as a poet for whom educating men about gender and masculinity mattered greatly.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
