Abstract
Basically intersecting transnational and spatial theoretical perspectives, this essay aims at a deeper understanding of Emily Dickinson’s internationalism, by focusing on Dickinson’s textual domestication of Italian-related images. Dickinson’s imaginary transatlantic voyage testifies to a peculiar use of Italy which actually reshapes the conventional travel rhetoric and, in so doing, Dickinson significantly partakes in the aesthetic construction of the nineteenth-century American textual space.
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