Abstract
The article highlights visual images of films produced in 2013-2014 and nominated for the Zolotoy Orel (Golden Ea-gle) Film Award in 2015. The article analyzes expressive methods used by contemporary masters of Russian cine-ma for achieving the most subtle and bright transmission on the screen of both real and subconscious inner life of people. The author presents detailed studies of the materi-als reflecting the work on image solutions in the films “Sunstroke” (Solnechny Udar) directed by N. Mikhalkov, “Correction Class” (Klass Korrektsii) by Ivan Tverdovsky, “Yes and Yes” (Da i Da) by Germanika, “Star” (Zvezda) by A. Melikyan, “The White Nights of Postman Alexey Triapitsyn” (Belie nochi pochtalyona Alexeya Triapitsina). Special attention is given to the analysis of creative meth-ods used by Russian contemporary cinematographers for creating visual images of cinema works.
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