Abstract
Translated by Kata Gellenpeter geimer is an art historian and assistant professor at the Swiss Federal Institute of Technology (eth) Zürich. His major scholarly interests are the history of photography, image science, the “living image,” and visualization in the natural sciences. Publications in English include the editing of UnDead: Relations between the Living and the Lifeless (Preprint, Max Planck Institute for the History of Science, Berlin 2003; forthcoming Kadmos, 2007).kata gellen is a PhD candidate in the Department of German at Princeton University. She is currently writing her dissertation on the figure of noise in modern German literature. Her essay “The Opaque Voice: Canetti's Foreign Tongues” is forthcoming in a collection of essays edited by William Donahue and Julian Preece called The Worlds of Elias Canetti (Cambridge Scholars Press, 2007).
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