Abstract
ABSTRACT Jojo Rabbit (2019), an ‘anti-hate satire’ about a Hitler Youth member, explores autocracy and prejudice through the child’s gaze. The film subverts several Holocaust film conventions, reversing the ‘weak Jew, Gentile savior’ trope and refusing to portray Nazis as inhumanly evil to illustrate the seduction of power and the complexities of compliance and resistance during the Nazi period – and today. This article argues that the socio-political climate surrounding the film’s release created a popular media narrative of Jojo Rabbit as a metaphor for and counter-protest to the rise of nationalist extremism in America following the presidential election of Donald Trump.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.