Identity Loss and Reconstruction in The Apprenticeship of Duddy Kravitz and Day

Abstract

Mordecai Richler, a contemporary Canadian Jewish writer, reveals the identity confusion faced by Jewish immigrants in their integration into Canadian society through the description of the life experience of the protagonist Duddy Kravitz in his novel The Apprenticeship of Duddy Kravitz (1959). Meanwhile, in the novel Day (1961), Elie Wiesel, a contemporary American Jewish writer born in Romania, examines how Holocaust survivors lose their identities and attempt to seek identity reconstruction within the context of traumatic memories and guilt through the perspective of the protagonist, Eliezer. This article aims to interpret the manifestations and reasons for identity loss and the possibility of identity reconstruction of the protagonists Duddy Kravitz and Eliezer based on identity theory. Through interpretation, it can be concluded that Duddy is marginalized by mainstream society and blamed for anti-Semitism within the Jewish community, resulting in a significant identity crisis. However, his success in purchasing land offers the possibility for him to escape marginalization and achieve identity reconstruction in mainstream society. Similarly, Eliezer, as a Holocaust survivor, experiences identity loss under the influence of traumatic memories and feelings of guilt, leading to questioning the existence of God and a death wish. Nevertheless, in the later part of the novel, he transitions from an unnamed narrator to “Eliezer”, and the ashes left after his portrait is burned symbolize his completeness, allowing him to regain self-identity.