Abstract
During his life, Goethe collected about 11,500 prints and drawings which spanned all epochs. Not limited to works by his favourite artists, his collection is remarkable for its wide scope. Goethe's practices of collecting show striking similarities to his methods of research in the field of natural science. This article proposes that these methods enabled him to define a general concept of art which exists beyond the individual, thus historically based works.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
