Abstract
The prevailing representation of Muslim masculinity is often profiled in negative stereotypes or regarded as toxic and violent owing to their religion or racial heritage. Using Raewyn Connell’s theory of gender hegemony and orientalism paradigm, this paper investigates the remake of an original Hollywood blockbuster, RoboCop (2014). Following a textual analysis, this aims to answer some questions concerning the power dynamics between various male characters in the movie and how masculinity is playing part based on geographical racial orientation; more specifically, how masculinity could be traced in white western men vs. brown eastern men. Moreover, this paper pays particular attention to the characteristics of these characters’ masculinity vs. their western counterparts since the involvement of Middle Eastern characters was the most fundamental change in RoboCop (2014).
Published Version
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