‘I sing to you / from my place with my righteous kin’: Judith Wright’s decolonial poetics

Abstract

ABSTRACT Widely celebrated as one of the most influential twentieth-century Australian poets, Judith Wright occupies a central and uncontested space in the national literary canon. The political drive of her poetry, intertwined with her lifelong commitment to ecological and Indigenous rights activism, transformed the platform afforded her as a ‘poet of the land’ into a discursive space through which to contest the legitimacy of her own positioning – as a settler, as a poet, and perhaps most significantly as an anticolonial ally. Despite this, and despite the growing urgency of conversations about institutional decolonization, Wright’s complex legacy as a decolonial agent remains largely uncontested. This article considers Wright’s poetic capacity to strike at the foundation upon which she stands and to excavate the violent histories beneath it; however, it also illuminates the inherited literary traditions that stunt her disruptive efforts. Drawing her contribution as a writer-activist into broader reflections on decolonization, I demonstrate the lasting significance of Wright’s reparative gestures – acknowledging and attending to active silences – as a timely model for literary canon reformation. Such (re)considerations of Wright’s legacy raise pertinent questions about what constitutes decolonial literary activism and gesture towards the silences as yet unbroken by the broader decolonial project.