Abstract
This article examines how some contemporary autobiographies avoid narratives told from a first person viewpoint. Rejecting a philosophy of the subject that favors the first person pronoun over the other persons in language, Annie Ernaux’s impersonal autobiography The Years (2008) favors a mode of remembering that is collective rather than individual. But the narrator’s memories fall prey to a capitalist production system that denies the body while technology takes over the past, eliminating the subject as the owner of her memories.
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