Abstract
This article first analyzes the artistic characteristics of Chinese dulcimer performance, and puts forward his own opinions and comments on the practical aesthetic significance of its formal art and the problems that need to be further explored in the process of innovation; secondly, it introduces the development status of Chinese dulcimer, and expounds the development and reform of Chinese dulcimer in terms of genre, performance form, performance skills and body structure. Finally, on this basis, the future development of Chinese dulcimer is prospected.
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