Abstract

Human beings often see coherence and planned design when neither exists. This is so in movies, literature, history, economics, and psychoanalysis – and constitutional law. Contrary to the repeated claims of George Lucas, its principal author, the Star Wars series was hardly planned in advance; it involved a great deal of improvisation and surprise, even to Lucas himself. Serendipity and happenstance, sometimes in the forms of eruptions of new thinking, play a pervasive and overlooked role in the creative imagination, certainly in single authored works, and even more in multi-authored ones extending over time. Serendipity imposes serious demands on the search for coherence in art, literature, history, and law. That search leads many people (including Lucas) to misdescribe the nature of their own creativity and authorship. The misdescription appears to respond to a serious human need for sense-making and pattern-finding, but it is a significant obstacle to understanding and critical reflection. Whether Jedi or Sith, many authors of constitutional law are a lot like the author of Star Wars, disguising the essential nature of their own creative processes.

Highlights

  • THERE IS NO JOURNAL OF THE WHILLSDo narratives cohere? In literature? In history? In law? In individual lives? Human beings think so

  • Human beings often see coherence and planned design when neither exists

  • Contrary to the repeated claims of George Lucas, its principal author, the Star Wars series was hardly planned in advance; it involved a great deal of improvisation and surprise, even to Lucas himself

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Summary

THERE IS NO JOURNAL OF THE WHILLS

Do narratives cohere? In literature? In history? In law? In individual lives? Human beings think so. Is an account of the six movies that constitute Star Wars: George Lucas wrote Episode IV: A New Hope, the first of the six movies in the series, with a clear understanding of the plots and sequences of all six. He knew that the central characters would be a father and twins. Goods, informational cascades, and reputational cascades, there is a treasure trove of material here.9) But as we shall see, the composition of the Star Wars series, and its multiple twists and turns, tell us a great deal about the nature of the production of narratives in general, including those that have many authors, such as constitutional law.

Origins
Serendipity and Coherence
An Arresting Metaphor
SERENDIPITY AND THE JOURNAL OF THE WHILLS

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