Abstract

How stable are human aesthetic preferences, and how does stability change over the lifespan? Here we investigate the stability of aesthetic taste in a cross-sectional study. We employed a simple rank-order preference task using paintings and photographs of faces and landscapes. In each of the four stimulus classes, we find that aesthetic stability generally follows an inverted U-shaped function, with the greatest degree of stability appearing in early to middle adulthood. We propose that one possible interpretation of this result is that it indicates a role for cognitive control (i.e., the ability to adapt cognition to current situations) in the construction of aesthetic taste, since cognitive control performance follows a generally similar trajectory across the lifespan. However, human aesthetic stability is on the whole rather low: even the most stable age groups show ranking changes of at least 1 rank per item over a 2-week span. We discuss possible implications for these findings in terms of existing theories of visual aesthetics and in terms of methodological considerations, though we acknowledge that other interpretations of our results are possible.

Highlights

  • How stable are human aesthetic preferences in general, and how does stability vary across the lifespan? The answers to these questions may have a significant impact on our conception of aesthetics

  • We suggest here that our results are consistent with the idea that, at their cognitive root, aesthetic preferences are in part a function of cognitive control, since this trait is maximal in early adulthood, and substantially lower in youth and later adulthood (Craik and Bialystok, 2006)

  • We found that human taste is rather unstable at all stages of life: aesthetic preferences are quite unstable in early childhood; become increasingly stable in young adulthood; and gradually become less stable in later adulthood

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Summary

Introduction

How stable are human aesthetic preferences in general, and how does stability vary across the lifespan? The answers to these questions may have a significant impact on our conception of aesthetics. Starting with the broader question regarding general levels of aesthetic stability in humans, we note that measures of aesthetic stability bear on both the empirical question of how stable humans tend to be, and on the methodological question of whether single-trial tests of preference can be considered reliable measures. The latter point echoes similar reevaluations of standard measures of emotion and personality scales, as well as BOLD contrast measures, all of which appear to be reliable at most at a level of 0.7, with typical reliability nearer to 0.5–0.6 (Vul et al, 2009).

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