Abstract
This article invites art workers to critically reassess the long-term effects of their practice on cultural and epistemological development in Europe. It addresses the capacity of curatorial practices to cultivate local epistemologies and encourages a fundamental role for these practices in deconstructing current hegemonies within the art system. The article approaches curatorial practices from positions other than North-Western European, and advocates for a situated model of curatorial practice. In doing so, it sets out to challenge existing definitions of ‘the curatorial’, adopting a multidisciplinary understanding of curatorial practice, while evaluating curatorial methods in light of contemporary geopolitical developments.
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