Abstract
Abstract Homeland's Agenda: Electoral Autocracy (The Venezuelan Case, 2016), a video-collage transcript, creates a general equivalence of media—public government broadcasting, propaganda, diverse Internet corporate news channels, pop music lyrics, video testimonials of disparate polish—so that each successive clip does not dominate the others. The result is a distillation of content lead by form and supported by a transcript translation that reveals a complex situation that is otherwise unreachable for audiences not initiated into the Venezuelan geopolitical context. The sourced material spans the period from 2011 to 2016, bearing witness to the emergence of a national humanitarian crisis and ensuing civil protests that, in 2017, prompted government repression by means of the police, the military, and the media.
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