Abstract

This article considers representations of the ‘slum interior’ as complex cultural narratives produced by urban investigators of the mid-Victorian period, including Henry Mayhew, Thomas Beames and George Godwin. Much existing scholarship on nineteenth-century slum narratives has tended to emphasize the use of sensationalism, hyperbole and tropes of colonialism to describe the dire living conditions of the very poor, a feature particularly apparent in the works of the 1880s. By focusing on writings from the period 1849–1865, this article pays attention to earlier conceptions and projections of slum interiors which were conceived as not altogether abject or ‘other’, but as ambivalent spaces that both defied, and invoked, Victorian forms of domesticity. Through close readings of their textual and visual form, I show how the paradoxical and ambivalent spaces of the slum interior reconfigure in meaningful ways the conventional relations of domestic architecture, inhabitants and their objects.

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