Abstract
This study aims to describe Reyog Ponorogo from the historical aspect, the negative stigma that has accompanied its development, and local wisdom that spreads to all its components. This problem is studied using a qualitative approach. Data collection techniques using in-depth interviews with data collection tools is the researcher himself as a key instrument. The data analysis technique used in this research is descriptive analytical with the process of data reduction, data presentation, and conclusion drawing. The findings of this study are as follows; (1) Reyog Obyog is an important and inseparable part of Reyog Ponorogo. In fact, it is very possible that Reyog Obyog is the origin of the Reyog Ponorogo which has developed and is known to the public today; (2) Reyog Obyog performance model which tends to be free, not bound by standards, is performed in the audience and is predominantly filled with entertainment, in its development various negative stigmas have emerged in the community, namely eroticism, drunkenness, and mystical performance rituals; (3) The Reyog Obyog has a great value in the form of a noble life guidance which is strategic enough to be used as a medium for building civilization.
Highlights
The cultural wealth is a manifestation created and implemented by the ancestors
This study aims to describe Reyog Ponorogo from the historical aspect, the negative stigma that has accompanied its development, and local wisdom that spreads to all its components
It is very possible that Reyog Obyog is the origin of the Reyog Ponorogo which has developed and is known to the public today; (2) Reyog Obyog performance model which tends to be free, not bound by standards, is performed in the audience and is predominantly filled with entertainment, in its development various negative stigmas have emerged in the community, namely eroticism, drunkenness, and mystical performance rituals; (3) The Reyog Obyog has a great value in the form of a noble life guidance which is strategic enough to be used as a medium for building civilization
Summary
The cultural wealth is a manifestation created and implemented by the ancestors. The form of cultural wealth according to UNESCO is divided into the tangible culture and intangible culture.(Bernardi, 2016) UNESCO further said that the consideration in determining cultural heritage is viewed from various aspects such as national identity, tradition, tourism, and the economy, which this approach is in the broadest definition of “culture” following the concept of UNESCO’s true cultural heritage.(Bernardi, 2016) UNESCO calls world cultural heritage as Outstanding Universal Value (OUV) which means something extraordinary and great and is the pride of the country.(Gullino & Larcher, 2013) Reyog Ponorogo art is one of the world legacies of the city of Ponorogo, which until now has been recognized and is still awaiting recognition from UNESCO. Reyog Ponorogo art in the Bantarangin version of Reyog’s performance tells of the struggle of Raja Kelana Sewandana in overthrowing the cunning King Singa Barong to get his ideal wife, Dewi. Kutu) made to the king of Brawijaya V This art has always attracted the interest of researchers and developers to introduce it, to increase knowledge and experience, and improve interpretation.(Alkhafaji et al, 2020) The emergence of appreciation for Reyog Ponorogo art from various circles is truly unexpected. His speed far exceeds the development of Reyog’s art itself. Until the early 90s, people only knew the obyog or obyogan version of Reyog Ponorogo, even though at that time this art was not yet called
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