Abstract

Ibrahim Issa's novel (The Blood of Hussein) employs the historical incident in the service of the narrative theme of the narrative text itself, and despite the dominance of the historical text on most of the pages of the novel, it remains within the narrative rather than the historical framework. For the clarity of the creator's goal of evoking this historical incident without others. This study, marked by (historical education and different questions in the novel (The Blood of Hussein)) aims to explain the interpretive reading and the questions that are silent in the places of historical narration and how to use them in building the plot of the novel, so the research was carried out on several axes that dealt with the history of the novel, and the mechanisms of producing the narrative meaning from the historical document As well as the psychological-ideological conflicts and the imagined pattern in which the main theme of the novel was manifested in spite of its small written space. The study found results, the most important of which are: the prevalence of psychological and ideological conflict over the main characters of the novel, the determination of the narrative type to naturalize this novel, as well as the narrator’s attempt not to surrender to the historical incident as it is, but on the contrary, he proceeds to discuss and refute it at many times.

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