Abstract
The article addresses the evolutionary process (conceptual and technical) that an artistic photographic project of a staged nature undergoes from its conception as an idea to its materialization as a final work, in the context of Research Based on Arts: A / R / Tographic, Visual Methodology and Photographic.Through the use of different examples, he explores the problems inherent in this type of photography and highlights the importance of the sketch as a necessary support to achieve the objectives, focusing his interest on the developmentof the scenographic-documentary series The life of the other.
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