Herida y nupcialidad en orígenes y Teresa de Ávila. El lenguaje poético-místico de la identidad de Jesús.

Abstract

Christian mystical poetry owes the original interpretation of the Song of Songs the confguration of some of some of its most enduring and representative fgures such as the wound of love, spiritual senses, and the nuptial union. Directly or indirectly, its powerful in?uence radiates on later patristic theology, monastic theology, and the mystical Spanish literature of the Golden Age. Our purpose is to present the original background teresa of Avila’s work, from the analysis of the wound and weddings, to consider the identity of Jesus from the perspective of poetic-mystical language.