Abstract

Henry II of Castile, also known as Henry of Trastámara, from the Latin “Tras Tamaris” (or beyond the Tambre River), King of Castile and León (1366–1367, 1369–1379) was the first king of the Trastámara Dynasty. In summary, it was a minor branch of the house of Burgundy (or an “Iberian extension” of it), with presence in the kingdoms of Castile, Aragon, Navarre, and Naples. Most notably, it began playing an essential role in the kingdom of Castile, but after the Compromise of Caspe, its power extended decisively to the kingdom of Aragon (1412). Henry II was the illegitimate son of Alfonso XI and his lover Leonor de Guzmán. He waged a civil war against his stepbrother, Peter I, legitimate heir to the throne, as the son of Alfonso XI and Maria of Portugal, Queen of Castile. Henry’s determination to be recognized as king led him to employ the arts in a campaign to discredit his stepbrother and tarnish his image, portraying himself as a defender of the faith with the right to rule. He built the Royal Chapel (1371) in the main church of Córdoba (today’s Mosque/Cathedral) for the burial of his father and grandfather, Ferdinand IV, in order to underscore his connection to the royal line, and refurbished the Puerta del Perdón (Gate of Forgiveness) in 1377, the main entrance to the church, for use as a dramatic stage for public events.

Highlights

  • After the death of Alfonso XI during the siege of Gibraltar in 1350, a victim of theBlack Plague that struck Europe in the second half of the 14th century, his son Peter I ascended to the throne of Castile and León

  • Alfonso XI endeavored to furnish his illegitimate children with titles and possessions to secure their futures [3]

  • If there is one truly revolutionary aspect of Henry II’s reign that must be highlighted, one with profound consequences related to the image that he projected of himself through the arts, it was how, despite being a bastard son, he still managed to take the throne thanks to the support of the nobility

Read more

Summary

Introduction

After the death of Alfonso XI during the siege of Gibraltar in 1350, a victim of the. If there is one truly revolutionary aspect of Henry II’s reign that must be highlighted, one with profound consequences related to the image that he projected of himself through the arts, it was how, despite being a bastard son, he still managed to take the throne thanks to the support of the nobility. He rewarded them with ample and generous mercedes, favors in the form of goods, income, and privileges (his nickname ‘the King of Las. Mercedes’) and to convince the kingdom of his reign’s legitimacy, despite having risen to power through bloodshed

The Accusation of “Tyrant”
Spaces of Power and Legitimation in Córdoba’s Main Church
Sigillography
Numismatics
Conclusions
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.