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Abstract
This essayistic work intends to perform an interpretation of the film “I, Daniel Blake” by English filmmaker Ken Loach in the light of Henri Lefebvre's critique of everyday life. Using the method of narrative decoupage, the work analyzes excerpts from the story that illustrate a worker's struggle against state bureaucracy and the precariousness of public services in the United Kingdom, reflecting spatial segregation in a urban life of few possibilities. The analysis reveals how capitalist structures shapes everyday life by reinforcing social exclusion.
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