Abstract
AbstractAlthough captive images have been examined for the Classic Maya, we lack a thorough understanding of depicted captives as a pictorial motif. Furthermore, the convention of “tagging” Late Classic Maya captive sculptures with identifying texts was understood a century ago, yet the ways in which these scripts functioned beyond the role of label are not well known. This layering of identifying texts onto captive figures presents interesting avenues of scholarly inquiry for understanding relationships among ancient Maya texts, figural images, and actual bodies. In this article I explore captive iconography and then suggest that the captive tagging convention is related to the tagging of possessed objects. The artistic tendency toward tagging the thigh with more frequency than other bodily regions suggests a secondary meaning for such markings, and I propose that these tags alluded to the post-sacrifice practice of removing the femur as a war trophy.
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