Heart of the Telling

Abstract

This article explores how the dominant narrative is deeply rooted in the performing arts community and shares how Indigenous practice and performance uproots this narrative. Artists are always positioned in relationship to the dominant narrative, whether they are aligned with it or counter to it. Presenters are also in relationship with the same narrative, whether they uphold it or challenge it with their programming. Because this narrative has such a stronghold on shaping our perception as a society, it dictates representation on the stage, leaving very little room for Indigenous work to be seen. In order to shift this inequity, the dismantling of the structures that the status quo has built is essential. Challenging perceptions and values as a community is needed. By engaging with work that is grounded in Indigenous values, Indigenous cosmologies, and a sense of ritual, our collective perception will widen and the foundation of our home will shift, allowing the walls of this new theatre to house all of our voices.