Abstract
In the magical universe of the American playwright John Cariani, the explosion of symbols and metaphors completes the creative process of both the actor and the spectator. The ease with which deep themes of human nature are approached is due to the mastery with which references of the soul are used in the identity of real and mundane objects. The characters carry their love in bags, their heart in sacks and their hope in inches. The magical world where the city of Maine exists but does not exist at the same time, is the world where any human dream or thought or need can become reality. The contemporary language of the text brings the soul closer to its organic understanding. One will focus their attention on the inner and outer structures of the characters, on the human themes approached, on the acting tools necessary for the organic assumption of the performance. Almost Maine, a universe of dreams and hopes, was staged in Romania in six theatrical institutions relevant to the contemporary artistic landscape. The space between real and imaginary, concrete and magical outlines the inner world of John Cariani characters.
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