Abstract
This article discusses issues raised by archival recreation. It presents the use of interventionist filmic methods such as haptics and détournement in the reinterpretation of archival footage, with a view to creating a new aesthetic object. The production of an experimental museum piece, Passage, based entirely on material from the ethnographic film archive at Moesgaard Museum in Denmark, is employed as a case study.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.