Abstract
This article examines the Viennese critic Eduard Hanslick's reception of the music of Bedřich Smetana during the 1880s and 1890s. In three case studies, it suggests that the critic's reviews are best understood in terms not of Smetana's Czech nationalism, but of Hanslick's German liberalism, and of the critic's memories of the youthful background he shared with Smetana in German-speaking yet nationally indifferent Vormärz Prague.
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