Abstract

AbstractThis study examines the evolution of ethnic symbol consumption in the Basque Country following the end of ETA's violent activities in 2011. It delves into the shifting political and cultural context of the Basque provinces during this period, underscoring the impact that terrorism and its cessation have had on creating distinct patterns of cultural consumption. The focus then turns towards the case of the ‘Hand of Irulegi’, an Iron Age relic discovered in 2022 that allegedly contains the oldest inscription in an ancestor of Euskera—the Basque language. The paper argues that the rapid adoption of the Hand of Irulegi by Basque society as an ethnic symbol is directly related to transformations in the conception of Basque identity in the aftermath of ETA's dissolution. These transformations include, mainly, the intentional forgetting of recent historical events by a large segment of Basque citizens and the emergence of Euskera as the main fulcrum of contemporary Basque cultural identity. The Hand, due to its chronological remoteness and its exclusive association with the Basque language, seems to be custom‐made to serve as a symbol for this new type of identification.

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