Abstract
Han Meilin pursued the “beauty of lines, composition, and form” in the genes of ancient Chinese characters through modern “prioritization operation, flexible combination, and two-dimensional and three-dimensional cross-border”. He created a series of works in both Chinese and modern “Tianshu” style, and held an art exhibition in the main building of the Meridian Gate of the Forbidden City. It can be seen that Han Meilin’s style of ancient Chinese characters conforms to the modern aesthetic of Chinese style in the context of contemporary art and design. The article establishes a connection between the formation path of artist style and personality power from the perspective of subjective anthropology, extracts the method of Han Meilin’s transformation of ancient Chinese characters genes, and provides a style path that can be referenced for the development of national art resources in modernity.
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