Abstract
This essay analyzes the "shadows of myth" that enshroud legendary Pre-Raphaelite icon, Elizabeth Siddal. The casting of the spectral Siddal as Dante Gabriel Rossetti's model, muse, and wife are roles about which H. D. speculates in her novelized biography, White Rose and the Red (1948). This essay examines the Victorian legacy that so preoccupied H.D. in the 1940s through the act of literary haunting. Siddal, as it turns out, is an especially provoking spectre that H.D. uses to embody the modernist repudiation and appropriation of their nineteenth-century predecessors.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
