Abstract

Abstract This article reads Sheena Patel's 2022 I'm a Fan as a major intervention into literary representations of women online, particularly within the context of Patel's materialist rendering of the operations of race, gender, and class in platform economies. Patel writes against a tendency toward what this article terms an emergent “flatness” in representations of women online, manifested aesthetically, ideologically, and affectively. Patel's debut offers an alternatively “de-flattened” account of life on the internet, partly through a focus on the hungry body of its narrator: an insistence that the internet is for women in particular “not a still, flat, surface thing” is explored via its effects on the feeling body. This article considers how I'm a Fan employs questions of algorithmic desire, taste and aesthetics, and the concept of autofiction as a “masticated life,” rematerializing, and therefore repoliticizing, gendered encounters with the platform.

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