Guess Who's Coming to Dinner? Colonization and Miscegenation in "The Merchant of Venice"

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Previous articleNext article No AccessGuess Who's Coming to Dinner? Colonization and Miscegenation in "The Merchant of Venice"KIM F. HALLKIM F. HALL Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Renaissance Drama Volume 231992Renaissance Drama in an Age of Colonization Article DOIhttps://doi.org/10.1086/rd.23.41917285 Views: 201Total views on this site Citations: 17Citations are reported from Crossref Copyright © 1994 Northwestern University PressPDF download Crossref reports the following articles citing this article:Varsha Panjwani Podcasts and Feminist Shakespeare Pedagogy, 8 (Oct 2022).https://doi.org/10.1017/9781108973311Joan Fitzpatrick The Merchant of Venice and the Demise of Hospitality, Shakespeare 18, no.11 (Nov 2021): 24–45.https://doi.org/10.1080/17450918.2021.1987508Jeanette E. Goddard “The outward shows be least themselves”: Speech Acts, Authority, and Visual Ambiguity in The Merchant of Venice, Interdisciplinary Literary Studies 23, no.44 (Sep 2021): 437–462.https://doi.org/10.5325/intelitestud.23.4.0437Urvashi Chakravarty Race, labour, and the future of the past: King Lear’s ‘true blank’, postmedieval 11, no.2-32-3 (Aug 2020): 204–211.https://doi.org/10.1057/s41280-020-00168-7Christine Varnado The Quality of Whiteness: The Thief of Bagdad and The Merchant of Venice, Exemplaria 31, no.44 (Feb 2020): 245–269.https://doi.org/10.1080/10412573.2019.1696054Lieke Stelling Religious Conversion in Early Modern English Drama, 75 (Dec 2018).https://doi.org/10.1017/9781108569408Urvashi Chakravarty “I Had Peopled Else”: Shakespeare’s Queer Natalities and the Reproduction of Race, (May 2018): 57–78.https://doi.org/10.1007/978-3-319-72769-1_3Tamara Lewis “Wherefore She Made Suit”: African Women’s Religious and Spiritual Determinism in Sixteenth and Seventeenth Century England, Religions 8, no.1111 (Nov 2017): 251.https://doi.org/10.3390/rel8110251Renato Rizzoli Shakespeare and the ideologies of the market, European Journal of English Studies 21, no.11 (Mar 2017): 12–25.https://doi.org/10.1080/13825577.2016.1274540Tamara E. Lewis ‘Like Devils out of Hell’: Reassessing the African Presence in Early Modern England, Black Theology 14, no.22 (Sep 2016): 107–120.https://doi.org/10.1080/14769948.2016.1185842M. Lindsay Kaplan Others and Lovers in The Merchant of Venice, (Mar 2016): 359–377.https://doi.org/10.1002/9781118501221.ch18Jyotsna G. Singh Gendered “Gifts” in Shakespeare's Belmont, (Mar 2016): 162–178.https://doi.org/10.1002/9781118501221.ch8Jonathan Goldberg Carnival in The Merchant of Venice, postmedieval: a journal of medieval cultural studies 4, no.44 (Dec 2013): 427–438.https://doi.org/10.1057/pmed.2013.32David B. Goldstein Shakespeare and Food: A Review Essay, Literature Compass 6, no.11 (Jan 2009): 153–174.https://doi.org/10.1111/j.1741-4113.2008.00584.xJohn Michael Archer Comedy: Civil Sayings, (Jan 2005): 23–70.https://doi.org/10.1057/9781403981295_2 ELIZABETH A. SPILLER From Imagination to Miscegenation: Race and Romance in Shakespeare's "The Merchant of Venice", Renaissance Drama 29 (Sep 2015): 137–164.https://doi.org/10.1086/rd.29.41917349Mary Janell Metzger “Now by My Hood, a Gentle and No Jew”: Jessica, The Merchant of Venice , and the Discourse of Early Modern English Identity, PMLA/Publications of the Modern Language Association of America 113, no.11 (Oct 2020): 52–63.https://doi.org/10.2307/463408