Abstract
RESUMO O presente artigo, a partir de certos expedientes de base foucaultiana para a análise do discurso, examinará um corpus de textos em língua portuguesa, feito de livros didáticos, histórias da literatura brasileira e ensaios recentes, em que figura a personagem literária Gregório de Matos, de modo a refletir acerca dos padrões de representá-la nestas instâncias textuais, com vistas a explicitar as ordens do discurso que supõem. Pela análise das táticas de coerção estrutural e dos efeitos materiais implicados - ambos, táticas e efeitos, formando determinada imagem de Gregório de Matos estruturante de certa ordem de discurso que, por sua vez, estrutura-a -, pretende-se explicitar os jogos de verdade que configuram determinadas experiências relativas, em particular, à noção de autor, criação artística e história da literatura, e, em geral, à noção de subjetividade e agência.
Highlights
Given that this article is anchored in text-discourse-enunciation studies, there is a set of premises, methodological operations and horizons of expectations related to these studies that needs to be explained.The object of the material analysis, activated by the epistemological attitude in the field of discourse studies, is, for this work, the utterance, understood as a unit of sense,1 mediator of the concrete actualization of a given meaning with schematic potency for the production of a given meaning
The article moves on to the analysis of the conditions of possibility of these representational patterns in the figure of Gregorio de Matos; mutatis mutandis, we will deal with the tactics of this order of discourse that finds or, better yet, founds Gregorio de Matos
Representational moves on Gregorio de Matos’s assumed and, eventually, actualized life and works have been narrated in this article
Summary
Given that this article is anchored in text-discourse-enunciation studies, there is a set of premises, methodological operations and horizons of expectations related to these studies that needs to be explained. The object of the material analysis, activated by the epistemological attitude in the field of discourse studies, is, for this work, the utterance, understood as a unit of sense (contextual meaning), mediator of the concrete actualization of a given meaning with schematic potency for the production of a given meaning This mediation presumes the existence of a discursive plane and a textual plane, the former constraining the construction of the latter, the latter structuring the order of the first. Procedural attitude confers on the lines of thinking adopted a structuralist disposition, making possible epistemic marks and styles of thinking to be organized according to axes of virtuality, actualization, and materiality In this framework, the article aims at operating with the notion of order of discourse as a machinery of generation of meaning, as the structural condition for the production, reception, circulation and maintenance of sense. We intend to bring forth truth plays that, at once, constrain by enabling and that enable by constraining certain experiential configurations to given existential coordinates in the particular scope of the notion of authorship in the history of literature and of artistic creation and in the general scope of the notion of subjectivity and agency
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